A snowstorm of publications happened this month, in both official languages. I share this good news which, unfortunately, coincides with some not-so-good news in the vast world outside books and writing. (my good news coincides with the invasion of Ukraine, a country that has done nothing wrong, except being prosperous. By the way, yesterday I sent a short story for a collection in support of the Ukrainians.)
Publication of my story Moby Dick’s Doors in the 2022 Space Opera Digest anthology HAVE SHIP, WILL TRAVEL, edited by Tracy Cooper-Posey
Le secret de Paloma (Paloma’s Secret) is a finalist for the Alain Thomas Award at the Toronto Book Fair. The show is held in person on March 19-20, 2022. (The award is the former Christine Dumetriu Van-Saanen Award, but we lost Alain, that dedicated worker, in 2020).
Publication of Cousin Entropy in the Rosetta Prize Archives (a prize that rewards translations of a text published in another language). Thanks to N.M. Roshak for this beautiful work on La Cousine Entropie. See the Future SF site for more details. A Mandarine translation of Cousin Entropy should also be published.
My illustration for the Salon du livre de Toronto (Toronto Book Fair) illustrating this year’s theme: our legacies. Our legacies, theme of the 29th Toronto Book Fair
A warning to my faithful fans: this is NOT SF! But an ‘eco-fiction’ with an ecological and human problem at its core, set in a coastal village. A tale of a beautiful friendship between two women who have each lost a loved one. Dedicated to my mother, Thérèse Laframboise née Lorrain, who grew up along the river and loves fishing harbors.
Publication of my short story Essential Maintenance in Neo-Opsis 33, a Canadian speculative fiction magazine edited by Karl and Stephanie Johanson.
And, to add to the flurry, an email last Thursday announcing a second SF short-story accepted at Analog! It’s a great start to the month, and to Women’s Rights Day, which is really encouraging for a female SF author
TL;DR : Michèle’s new books and SF short-stories publications are out in several venues, in both French and English
Michèle Laframboise is a Canadian SF writer, with more than 60 stories published. Her most recent story, October’s Feast, is available in the Asimov’s SF Magazine. She is a fair low-level athlete runner, a lousy gardener, and avid birder. More on her official website here.
Those who enjoy scuba diving (or who, like me as a kid, had watched Commander Cousteau’s documentaries) know that before going back to the surface, you have to make mandatory decompression stops to allow the molecules of nitrogen/ helium who had taken refuge in your tissus under high pressure to leave your body, via your exhaled air.
Otherwise, the nitrogen can decide to turn back into gas while it is still lodged in your veins and your cells, and it would not be a pretty sight. Decompression sickness is as dangerous as its opposite, the deep nitrogen narcosis which develops sneakily if you spend a too long time at 100 feet deep.
Diving in deep water
For me, writing feels like diving into deep water.
Except that my decompression breaks are in the opposite direction! It takes me a long time to reach the level of concentration deep enought to penetrate a story. Levels of ‘compression’ or concentration…
My first level takes about 45 minutes to an hour. I go over what I wrote the day before to get the story and its atmosphere back inside my head; I check notions, places, etc. If I write 100 words in that period, that’s normal.
At the second level, which takes me about an hour to reach, I am entering the story at 300-400 words per hour.
At the third level, everything becomes magical: my fingers hug the keyboard and the ideas are transmuted into words without my having to stop. I feel like the story is writing itself, and I’m approaching 600-800 words an hour.
If I keep this on without interruption, I reach my fourth level of concentration: the story tumbles like an avalanche in my head, fingers and words roll like marbles on a flat table. It is paradise. I smash through the 1000 words per hour wall. Often, this happens in the evening, when I have a deadline approaching.
BUT… I do not descend to this 4th level often.
On the other hand, to go up to the surface, there is no need for decompression stops. Any distraction can yank me up in a jiffy. The phone, someone calling me, or the family member.
As soon as my enthusiastic husband comes to tell me about a techno gadget he saw on the Internet or heard about on the radio, poof! immediate surfacing.
If the conversation is less than a minute or two, and if I don’t have to think to answer any complex questions, I can dive back in and get through my ‘focus’ levels pretty quickly.
Alas, this is rarely the case.
Another condition favors my rapid return to the depths: the certainty that I will NOT be disturbed again in the next few minutes!
So, after 5 or 10 minutes that ate my concentration. And, when the interruption ends, I have to dive back in and redo my stops. And, often, barely submerged, of course, it’s already supper time…
Confession of an unfocused writer
I created this article from a recent writing mishap.
Here I was, happily tapping on a wonderful science fiction story set in Antarctica, pom-pom-pom… when all of a sudden, a flawed scientific detail jumps out at me. Have I correctly calculated the position of the sun below the horizon during the southern polar night? Have I checked the right calendar for the current polar night?
Rising to the surface, opening the Internet, checking the info, then letting yourself drift on the Wikipedia sites, drift farther on the Scott-Amundsen station site, watching the web cam (it’s cold here, but not as cold as in the South Pole)… And, I came to my senses with the crucial realization of having wasted my time. It internally annoys me.
On the heels of that realization came another torment: should I change an explanatory paragraph to place it closer to the opening of the short-story? My words are so tightly knit together that moving one paragraph or one word requires rewriting several others, before and after. And so, I paddled on the surface to juggle these paragraphs.
Finally, after trying to dive back, I decided to go for a walk outside to clear my mind, and come back at another time. I told myself that it’s still warmer here (in Canada, Ontario) than at the South Pole…
TL;DR: Writing is like diving, but with the “concentration” stops going down instead of up.
Michèle Laframboise is a Canadian SF writer, with more than 60 stories published. Her most recent story, October’s Feast, is available in the Asimov’s SF Magazine. She is a fair low-level athlete runner, a lousy gardener, and avid birder. More on her official website here.
It’s not a play on the other quip Have gun, will travel, but this 400+ pages Have Ship, Will Travel anthology zooms into the space opera adventure stories your inner child covets.
The Space Opera Digest 2022, “Have Ship, Will Travel”, directed by Tracy Cooper-Posey, is published by Stories Rule Press. Stories Rule Press, in Alberta, Canada.
And with veteran writers like Kristine Kathryn Rusch and Douglas Smith heading the table of contents, you can be confident that you will pass a jolly good time on the routes of space! Of course, I do have a story featured in the Space Opera Digest 2022, that I hope you will enjoy as much as I did writing it.
More info? Editor Tracy Cooper-Posey writes across several fiction genres, including space opera under two different pen names, and grew up reading classic science fiction.
Adventures among the stars need a ship to get you there.
Stories Rule Press presents Space Opera Digest 2022: Have Ship, Will Travel
Space Opera heroes and heroines explore the stars and discover cool new places in ships which range from beat-up rust-buckets to sleek technologically advanced craft that are the envy of the galaxy. Space ships are quintessential for the adventures and challenges our favourite characters face.
Come and explore over 400 pages of worlds of wonder and the ships our heroes fly with Stories Rule Press’ 2022 edition of Space Opera Digest.
Space Opera Digest 2022: Have Ship, Will Travel is the second volume in a quarterly collection of genre fiction anthologies presented by Stories Rule Press.
“Sole Survivor” by Kristine Kathryn Rusch “Captain” by Stephen Sottong “Big Top” by Sonia Orin Lyris “Cycle Three” by Stephanie Mylchreest “Star Cruise” by Ron Collins “Watch of the Starsleepers” by Christopher D. Schmitz “Tome Raiders” by Eric Del Carlo “The Passenger” by Eve Morton “An Ordinary World” by J. L. Royce “Insanity is Infectious” by Cameron Cooper “Achenar” by Jasmine Luck “Moby Dick’s Doors” by Michèle Laframboise “Learning Curve” by Neil Williams “Exotic Matters” by Phil Giunta “An icub on Mars” by Barbara G. Tarn “Of Hedgehogs and Humans” by Rob Nisbet “Smugglers Blues” by Blaze Ward “Altered Skin” by Sara C. Walker “An Unexpected Taste of Home” by Terry Mixon “Symphony” by Douglas Smith
Space Opera Science Fiction Anthology __
So, heed the call of adventure, and embark today !
I was picking at the stubborn ice in the garage entrance. Again.
My shovel made such a racket that I was certain the whole neighborhood had heard. At least, those neighbors who didn’t go out for work, which was, a lot of ’em this peculiar, cursed year. The current temperature danced around a balmy zero Celsius, but the wind had frozen everything hard.
If, at least, the Sun had spared some if its heat for the fissured blacktop of the entrance, the ice would have melted by itself. Alas, a bunch of gray clouds had been squatting the whole sky all day.
I hated it when winter couldn’t decide, once and for all, between staying over or under the freezing temperatures. One day, snow to our knees, the following day, it all melted into slush puddles; then the following night created uneven ice patches everywhere. Add the sidewalks to that equation, their broken slabs a danger for any walkers, hidden under the layer of pristine snow, and that’s southern Lake Ontario for you.
As my nice neighbors’ car entrance was a slippery incline, the risk of a bad concussion was multiplied tenfold. Hence me, hacking the ice like a mad woman, the metal reverberations grating my ears, the vibration stunning my wrists even if I wore padded mittens.
For now, the wind factor was chilling the sweat channel pouring over my spinal column. Swerving around the buildings, the wind surged from every direction, surprising me. I should have covered myself better than a sweater and padded vest, but too many layers only made me sweat more.
If only the darn winter could make up its mind! That dance around the zero was driving me nuts, besides wearing down the asphalt. And my patience…
At this hour, I should be cooking the no meat turkey, mashing the potatoes, finishing the chocolate cake that would only be a pale reflection of the one my grandmother made. And I had to set the table to greet the husband and son coming back from their own errands. And choose the best plates, those perched on the high-altitude cupboard shelf.
But the thought of my neighbor, not much older than I was but with her hip broken in a bad fall, prodded me on. Her husband’s sore back and weak heart prohibited him from any undue exertion, like shoveling dense snow. I was in good shape, relatively speaking, of course, so I toiled for them.
Of course, it was stupid of me to risk a heart attack to de-ice a car entrance.
Evening fell too fast, giving birth to a colored rivalry of Christmas lights, enhanced by technical prowess. I felt a pinch of envy regarding this prodigality, but those lights offered a gift of beauty to any passerby.
The world was so dark, so hard. Those constellations of blue, green and white lamps warmed up my soul. I paused, the echo of my last shovel hack sounding for long seconds. A fragile bubble of silence expended over the deserted street.
My breath created soft clouds of condensation that dissipated too fast.
The silence, in a city, was something to cherish. I listened for the chatter of chickadees, the angry twip of a house sparrow, the tiny crack of the hardened snow under the paws of a cat, or the light bounces of a scurrying rabbit.
But the only sound I heard was the dry crinkle of an envelope under my boot. Untouched, unopened, escaped from the recycling van with the complicity of the wind. On its face, printed Christmas ornaments and holly leaves, framing a too familiar message: give generously!
In my humble opinion, printing Give generously! or urgent!!! We need you! with an excess of exclamation points, constituted a strategical error. Most of those envelopes landed directly in the recycling basket.
I didn’t want to cast the first rock at my neighbors. But since charity organizations had taken to systematically share our address lists, it was twenty, thirty Give generously envelopes that fell in my mailbox, just because I, once, forgot to tick the microscopic square hidden in a small fonts paragraph.
This accrued pressure had caused a mild case of giving fatigue.
My thoughts turned darker. Yes, give generously, while tycoons and bankers fired men and women or conspired to shrink their worker’s rents, inflating their own wealth!
And those same ultra-rich would put one hand over their heart at charity galas, while the other slipped gifts in politicians’ pockets, garnered further tax breaks with legal tricks, accruing the burden for all others. (And then the politicians opened their hands and told the populace, “See, we do not have money…”)
Strangled by all those speculators, what would be left of this famous middle class that shrank and shrank? Donations dropped year after year, even with the added promise of an anonymous donator doubling or tripling the given amount. So many of us toiled at two or three jobs to make ends meet, conscious to be at one illness, one accident, one job loss from homelessness…
Clanggg! I hit the blue-brown ice with a vindictive zeal.
The shovel broke a layer of ice that would have felled my fragile neighbors. Smashing the ice was as difficult as weeding the garden. In summer, I struggled to unearth the deep roots of invading plants instead of just pulling the heads off. Battling the roots of corruption was as difficult; many politicians pulling off some scapegoat from their hat and going on as before.
Under the thin ice, another envelope winked at me. All red, with the same holly leaves and Christmas tree ornaments, but bearing a different message. Flash sale, Find your gifts here, 50% on everything…
The other face of the holidays, where stores and banks and insurance agents offered pre-approved credit cards with incredible rates… Those two injunctions fought for my mind space.
Buy, buy, buy!
Give, give, give!
Buy or give, but never disturb the generous speculators who congratulated themselves with champagne at Davos while pouring crocodile tears over the climatic crisis brought by their own profitable actions.
So be it.
This year, I had decided to forego the shopping and give all that I could: clothes, food, kitchen items, books to nourish the dreams…
A low drone rose.
I thought it was the car of a neighbor returning from a job that might evaporate next year, in another reorganization. Then I heard distant bells tingling under the loud clangs of my shovel. Under the tingling bells, a chorus of voices sang, soft like the abating wind. Were there still people singing carols?
For a moment, magic bathed my soul.
Then a familiar rumble of a diesel engine cut through the magical moment.
The beams of two spotlights swept the sidewalk that I was furiously hacking. I turned around, sweating and out of breath, my palms aching from the shocks, intent on spilling out my consumer/donator frustrations.
The chorus I had heard a moment before was flowing from the driver window of a huge eighteen-wheeler, pulling a semi-trailer. The trailer’s side was marked with an unfamiliar logo with holly leaves and one round tree ornament. Such a mastodon should never have been able to engage in our narrow, curved residential street! Neither should have it been able to ground to a halt without a loud hiss of brakes.
A ginger cookies scent titillated my nose, along with a waft of warm air from the open window. The left elbow of the driver jutted out, wrapped in candy-red, shiny coat.
A bearded face leaned out of the window, the lower edge encrusted with ice crystals that fell as his arm brushed over them. The soft singing was still pouring out, probably from a high-quality radio system, because the voices were so clean it sounded like an entire choir had been squeezed inside the truck’s cabin.
“Excuse me,” the driver said, “I’m kind of lost.”
His gravelly voice betrayed an age in the advanced seventies, confirmed by the beard, whitened by worries.
Another elder who had lost his pension and had been forced to work as long as he had some strength remaining.
No, it was his way that he had lost. And, as like most truckers, he was ‘on the clock’. I put my bad mood in my pocket, with the envelopes, and planted the shovel like a flag into a precarious snowbank.
“Where are you going?” I asked, my voice raspy with the cold.
The driver turned to cut his engines, gaining my silent approval. The rumble of diesel died out like an organ endnote. He scratched his head under the rim of his knitted cap. Red like the anorak.
“Well,” he said, “it’s a bit complicated, since my GPS has retired…”
“Retired? He’s luckier than I am!”
Oops! I had talked without thinking. The paper tip of my bad mood’s viper tongue peeked from my pocket.
“Sorry,” I said. “I’m a little like you, a freelance artist living day-to-day, so there’s no retirement package for me.”
“Oh,” he said.
He smiled, and that changed his physiognomy.
I mean, the guy didn’t have that perfect Colgate smile, whiter than white, over gums redder than his anorak. His teeth showed some wear and tear, toned to a soft ivory taint like an elephant’s defense. However, there was a light in his smile that rose to his eyes, their irises the pale blue of the ice, when free of impurities.
And this warmth, this light, evaporated the worries in my head, the magnates of this world receding into nothingness. I didn’t feel the cold sweat channel in my back, either.
It was at this moment that I noticed he had addressed me in my native French, despite my living in an overly English neighborhood in the Toronto area. How could he have guessed my proud Franco Ontarian culture?
“What brand is your GPS?” I asked. “A Garmin, a Tom-Tom?”
“It’s a Rudolph-2.”
“I’m not familiar with that brand.”
“Well, the first was the best, but since he retired…”
He had spoken on such a good-natured way that I almost didn’t notice the incongruity of a GPS going into retirement. I thought that poor trucker must have been so lonely on the long roads, that he spoke to his equipment. So, I asked him a good-natured question.
“And what are you transporting?”
His arm wove toward the back of the truck.
“Gifts,” he said.
As the single syllable left his fleshy lips, a warm scent of chocolate cake tickled my nose. I felt myself shrinking into a smaller me, transported in a familiar kitchen, as my grandmother was pulling from the oven a magnificent cake. Her mittened hands deposited the dessert on a pad on the countertop. Then she would spread her special cacao icing, a glory as each bite melted in the mouth, and place a little maraschino cherry at the center.
How I missed my grandmother!
I came back to the present with a start. If the bearded trucker carried food…
“Nothing perishable, I hope?”
“Oh, don’t worry, it will keep. I’m delivering everything this night.”
In certain stories or movies, there are moments when snotty critics qualified a character as genre blind.
For instance, you watch a movie with a bunch of teens in a haunted house, and the leader brilliantly decides, “let’s split up to cover more ground.” Of course, that was a staple of countless horror movies, like the young woman stuck in a mansion as Victorian as empty, who hears a noise coming from the cellar and goes down there to investigate the source, alone with her skimpy night robe…
That kind of genre-blind, of cognitive dissonance, was on me now. My brain had not connected all the dots yet, still rattled by the solicitation envelopes in my pocket.
So, I addressed the bearded man, hedging my bets.
“So, you’re a kind of Santa Claus,” I said.
I added my best ivory-toothed smile, the fruit of my privileged access to dental care.
At that moment, a concert of tweets and chirps rose in my back. Turning, I discovered a whole gallery of birds, the dream of any ornithologist doing the Christmas bird count.
Cardinals redder than red, with their more discrete dames, their plumage a beige and soft red. Cheerful black-headed chickadees, Black-eyed Juncos, with their best gray and white tuxedos, blue jays harping, and others that my eye couldn’t identify. Among them, a lone peregrine falcon perched on a branch, surprisingly indifferent to all those little meals chirping under its claws.
I was afraid that the truck would dematerialize like in the tales when I turned back.
But no, the driver was still there, one hand on the wheel, his kind eyes contemplating the bird assembly. Maybe I was mistaken, and it was St-Francis of Assisi hiding under this beard.
Really, I would be fine with that.
“Yes,” he admitted. “And I must deliver at a series of addresses.”
He foraged on the passenger seat and grabbed a pack of old matrix print paper. There must have been a hundred pages, all perforated on the sides. I glanced at the top address.
I felt a weird let down feeling. Then, I shook it off like snow from my boots. What was I griping for? Living in a fair neighborhood, in a country at peace?
A light bulb flickered in my mind: the first line was the address of a distribution center of food and clothes in my city. Because of the elite’s neglect or indifference, more families struggled to make ends meet, and donations were dropping. No wonder Santa Claus had changed his routes tonight.
Under the first address, I recognized others: a refuge for the street kids, a safe house for women and children in danger, a halfway house for ex-prisoners. I did not know the other places, but, flipping the accordion-linked pages, I could see area codes in Cyrillic characters, Chinese ideograms…
A gulf of gratitude filled me, warm as hot fudge poured from the pan. I clapped my hands in delight.
“Oh, I see what you’re doing, it’s, it’s fantastic! Thank you, thank you!”
He seemed happy from my reaction, and the birds tweeted louder.
“Yes,” he said, “and Mother Claus had even given me the locations of hidden political prisoners camps.”
That last bit saddened me. Long ago, I had sent a box of children’s shoes to an organism in Afghanistan. The box never got there. Lost in transit…
“The jailors will keep the gifts for themselves,” I said, my voice heavy.
That didn’t seem to bother him, no more than the time zones and Earth’s circumference.
“It will be a delicate affair, young girl, but for a guy who had slipped into millions of houses by chimneys or windows in a single night, no problemo!”
His young girl passed on me like a balm, because it was sincere. The good grandfather perceived me as the child I had been, as I was still inside.
However, there was just one little detail at odds with my ecological conscience. The gas-gurgling truck.
“Wouldn’t it be less polluting to drop your gifts from your sleigh, with the flying reindeers?”
There, he burst into a hearty laugh. Not the fabled ho-ho-ho, but a joyous wah-ha-ha-ha!
“A truck is less conspicuous. Especially with all those drones firing on everything, even the birds! As for the gas, the elves have produced a biofuel.”
He restarted the engine. I could smell a sharp scent of ginger coming out. He winked.
So, stepping on the foothold, I gave him the directions to get out of the street, and to reinitialize his GPS. His eyes perked up when the little red sleigh icon blinked on his screen. A powerful Ha! escaped in the night.
“I thank you, young girl. Do you want something in exchange?”
I considered the flock of birds happily hopping by, and breathed in the odor of grandma’s chocolate cake and ginger breads, all coming from the exhaust tubes.
One writer, on the verge of dying, had said that his most marvelous discovery had been to know that he already possessed everything he needed to be happy.
A roof over my head, a family to cherish, a work I loved.
“You just gave me my gift,” I said, tears in my eyes. “I don’t need anything else.”
“Well, it has been a pleasure to talk with you. Embrace your loved ones for me.”
And, just like that, the gift truck rumbled on, leaving its good smell of ginger and chocolate behind. I followed it with my eyes until the taillights were gone.
I stood, unmoving, savoring the moment under the stars that shone without concurrence from the Moon. Then, the to-do list raised its ugly head in my mind.
Ice to break; meal to prepare; table to set.
My hand reached for the shovel’s handle.
And froze there.
Under my feet, the concrete slab was as dry as in July. The ice had evaporated on the sidewalk, so nobody would slip and get a hip fracture. On the street, and on the driveways near me, the black top had been regenerated, all cracks gone from its smooth finish. Nice of Santa, to think of the municipalities crushed under debts, putting back repairs.
Thank you, I thought.
You’re welcome, a voice answered in my head, just as a snowflake tickled my nose.
Snow was falling, big fluffy tufts, magical, as they only covered the lawns and gardens by now empty of birds. I put back the shovel inside our empty garage and headed for the front door.
As soon as I pushed it open, a flurry of good smells greeted me. Mashed potatoes, vegetables, tofu turkey with cranberries…
To my surprise, the table had been set.
With the best plates, those that usually waited on the high-altitude shelf, disposed on the clean fabric with their attending cutlery. It was as if a fairy—or Mother Claus?—had prepared this feast.
I was tempted to cry out You shouldn’t have done this!
But I didn’t.
Because, at that moment, I saw—and it drew tears from my eyes—what occupied the center of the table: a wide, generous china plate, the edge ornate with holly leaves (real, fresh ones) and small golden marbles.
And, on this round throne, a cake, worthy of my grandmother’s best art, covered with a thick layer of chocolate fudge icing, sending up a warm scent of cacao. On its top, a small round cherry sat, like a tiny Christmas ornament.
May you all live and give in this Holiday Season !
(c) Michèle Laframboise 2021
Enjoyed this tale? At the time I actually wrote it, Serge Bouchard, a dear friend of all poets, who had been a trucker, had just left us. So the generous character in the truck would look a bit like him.
When days get shorter, we seek the comfort of a good book, with hot chocolate. These five stories are about trials and new beginnings, and how friendship or even love can bloom in any situation, as long as you don’t give up hope for the future.
Immerse yourself in five Holiday tales of compassion and courage, of wonders and sweetness by multi-award winner Michèle Laframboise, to enjoy with your favorite mug of warm chocolate !
Why those Holiday stories?
The first days of December are always difficult, for not only is the light dimming, but the news that bombards us discourages us with its darkness. Women’s rights, the rights of poor people to a life of dignity, access to the vote, respect for others, all the progress that I witnessed growing up are now under threat. The magic of the holidays seems very fragile like a crystal Christmas ball …
So these stories are about friendship and hope. On a human scale.
The 5 Chocolate Holiday Stories range from realism to fantasy and romance, and locations range from New York City to Toronto to the beautiful Appalachian countryside. However, the questions asked are as old as humanity. Is there any magic left at Christmas? Will I find a good man? A loyal friend? Can I protect my forest? We meet people struggling forward despite difficulties, mental illness, prejudices and the loss of their youthful ideal.
And the marvelous can spring from a wounded bird found in the cold, or from a stray delivery truck on a suburban street.
People who are caught in difficult health situations, forced to undergo expensive surgeries and suffering from illnesses, and their overwhelmed caregivers, also experience great stress. They yearn for a respite, a door ajar leading to a sweeter world.
So, a book, like hot chocolate, makes the reader forget their difficulties for a little moment of happiness.
We need an escape so badly!
Romances are often snobbed and called escape literature. But what’s wrong with wanting a respite, a break from this relentless pressure of negative information?
I have penned some heavy and dystopian science fiction (Ice Monarch, La ruche) that explored the excesses of capitalism running amok. But I also feel the need to write stories that caress, that appease.
And stories which can be put in all hands. English speakers often talk of “clean” romance (as if sexuality between consenting adults was immoral or dirty!) but I prefer the adjective sweet romance, which gives an idea of sweetness, while promising the reader a certain restreint in graphic descriptions and/or swearing.
Hot chocolate for the soul !
I hope no one is left lonely or left out in the cold. And may the grieving souls find comfort in reading and music.
Do you remember the Chicken soup for the Soul collection? Well, a cup of chocolate for the soul is good too!
And, why not, read a good book while smelling the aroma of hot chocolate!
Practical info about those 5 chocolate-Rich holiday tales
The book contains three short and sweet romances, one magical Santa tale, and one friendship tale with birds.
Those chocolate-friendly Holiday tales are:
upbeat, hope-filled stories
all-ages friendly tales (what the English call “clean & wholesome” but I prefer to say sweet)
featuring colorful women who overcome difficulties and prejudices
Covering from the Winter solstice to Christmas Eve.
Any story can be read on a bus ride to work (3000 to 7400 words)
Useful links to offer those 5 holiday talesas a present
Whatever is the flavor of your life and your deep-rooted beliefs, the shorter days leading to the holidays often coincides with difficult situations, forcing hard decisions.
It is a time when the heart may feel the relentless pressure of the exterior world, and also experiments inner turmoils of its own. No wonder, then, that so many striving souls lack confidence! When everything darkens, I crave for the oldest of pick-me-up, a good book and a cup of hot chocolate.
I love chocolate (I know, not original since I share this taste with hundreds of million of people). Dark chocolate, artisan-made chocolate, ethical… and also, hot chocolate, at certain times. For me, hot chocolate reminds me of the scout camps, when we doled out the evening collations to the cubs after a long day of activities.
I rarely drink while reading a book, because I might get drops on the pages. But yes, on rare occasions I have enjoyed the treat of reading on a good chair, with the cup of chocolate nearby.
As the Holiday Season is upon us, I put out my first collection in paper and ebook, 5 Chocolate-Rich Holiday Storiespublished by Echofictions. Those new, upbeat stories include three sweet romances set in the Holiday period, and they’re best enjoyed with a cup of chocolate or your favorite treat!
True to the laws of thermodynamics, the expanding universe keeps cooling down. Now, the last transformed humans linger near the black hole at the center of our Galaxy.
The UnAttached, who count their age in billions of years, feed on the powerful X-ray emissions and rail against Entropy, that selfish cousin who sucks leftover energy. The Attached, recently forced to leave their ruined worlds, live too fast.
As the stars around them wink off one by one like in a dying city, what can they hope for ?
A short and crunchy hard-SF story set far, far in the future, told by multi-award winning author Michèle Laframboise, translated from the French by N. R. M. Roshak.
The short-story published in Future SF had received several accolades:
“Cousin Entropy”… has a wonderfully Stapledonian scope.–Locus Magazine
“The hardcore physics fans out there will certainly enjoy this.” –Kat Day, for Tangent Online
“…a far-flung space opera reminiscent of Liu Cixin’s book.” –Alex Shvartsman, Future SF
“...a wonderful piece of Science Fiction, full of physics and feeling.” –Eamonn Murphy, SF Crow’s Nest (link underneath)
My inspiration for this story
My father Jacques- E. Laframboise had a fine telescope, and I recall many summer nights where he would adjust the position with patience, to point at this or that star, or planet. I still have the 1970’s astronomy books he had bought and, with another telescope, I search the skies, when said skies are not obscured by clouds or the luminous pollution of cities.
I always pondered the fate of our (pear-shaped) universe. The heat death of the universe linked to the ever-growing Entropy, does rarely make for an upbeat story, but add the transformed, long-lived remnants of humanity, and a pinch of spicy black energy, a tiny bit of humor, and voila!
I wrote the story in a short form, so it makes for a thin paperback, be warned. However, I allow my readers to share the paperback and give it to someone close, so you commpose your own chain of friendly atoms.
The translation had been done and edited by N. R. M. Roshak, to whom I owe a lot of gratitude. French is my first language, but a growing part of my public understands and read in English.*
About the the nice cover image: it is a NASA/ESA pic taken by the Hubble Telescope, showing two colliding galaxies nicknamed The Mice, located 300 million light-years away in the constellation Coma Berenices.
After 16 years of besieging the English-language sci-fi magazines, a breach has been opened in Asimov’s wall. My sarcastic new “Shooting at Warner’s Bay” is out this month.
A promise kept
It is a special moment for me, because it was a promise I made to my father on his hospital bed, in November 2014. I had already started my cycles of submissions, but I had a lot less stories written at this time. Now with 120+ written texts, including 80 in the current submission cycle, I’m not short of ammo!
My dad Jacques E. Laframboise had a large library of science fiction and fantasy books (the Black Marabout collection). I read a lot of classic horror authors (Jean Ray, Claude Seignolle …), but science fiction was really more my thing. I had loved the Fin d’Ylla, a very, very old thing re-edited by Marabout. The Robots, by Isaac Asimov. A collection of translated short stories from Harlan Ellison.
Science fiction nourished my imagination, even if it had not made me popular with my French teachers, for whom there was one Literature with a capital L (generally written by long-dead, white Europeans guys) and the ‘paraliteratures’ like the detective, SF, fantastic novels that I read voraciously.
Of course, I would have preferred to get at this happy point earlier, so that my dad, and my grandma Edmée Laframboise (who loved to read detective stories) could rejoice with me. But, that’s life. And, at least, those stories will live on and find new readers.
Laying siege with perseverance
Looking at that table, you can guess some mags answered faster than others.
The American pro SF mags pay very well, and they sit at the top of my mailing list for submitting a manuscript. Then, if the text is refused, I go to less prestigious magazines, then to semi-pro (which pay, but a little less) and finally to the “token” markets. To understand all these categories, I recommand the page of Ralan, who has devoted himself for 25 years to disentangling the “markets” (as named from the point of view of the author who is paid by the magazine).
SF pro magazines like Asimov’s receive several thousand texts per year. The acceptance ratio of pro mags being very low, that publication means more pressurized air inflating my pride balloon !
Climbing quality raises the acceptance bar
And as editor Scot Noel of DreamForge magazine pointed out, the average quality of the submitted stories is climbing, which makes it more difficult for the first readers to sort through the slush pile. The same phenomenon occurs for all other magazines as the level of writing increases. It is rather good news for the readers, but a challenge for a would-be writer. It is no longer enough for a story to be good, it has to shine, to stand out.
And, for me, I had to stop telling myself “I must write like X or Y” and to dive into my favorite flavor without feeling guilty for not writing in the genres in demand, especially with lots of deaths like horror or thrillers.
And I have to write with my heart, too, otherwise it would sound like a niah-niah-look-at-me exercise. That story in Asimov’s sprouted from my sympathy for ignored Hollywood actresses, and was fun to write. It flowed smoothly and didn’t require too many revisions or line edits.
By the way, why do I specify “my first story”? Because I am currently revising another short story, which will be released in 2022 in this same magazine. And I don’t miss any “ammunition” for other SF magazines!
Asimov’s, September-October 2021, double issue. For electronic subscription. Otherwise, run and buy it at the newsstand!
Any strong, researched plot I build looks as fragile as a house of cards in my mind. This is how I feel when writing a novel, a short-story, anything, in any genre including romance and science fiction.
And this happens to me even when I plan my stories in advance. The carefully-laid plan goes by the window after a certain point in the writing. And for my very first writing endeavour, I had bought into the “not writing a line before the plan is perfect” and followed by “show your work-in-progress to everyone (and get their advice)” to “rewrite ad nauseam until its polished and smooth.”
I found out that I am closer to a pulp writer than a once-every-ten-years literary author. So I write mostly by the seat of my skirt those days, going back if a nifty details grabs my attention.
My scientific self vs my story-telling self
And it doesn’t help that I am a SF writer who likes baking hard and crunchy SF stories. Sometimes I even overcooked them, making them so hard nobody could access its softer heart!
My scientific upbringing and formation in geography and engineering (even if I didn’t make a career in those fields) had left me with a reflex to check my premises and promise to my readers. I’m a nit-picker. I like flying off on the wings of pure fancy, but at a point my basic knowledge of sciences trips me.
Of course, I could stay in the fancy realm and ignore the science and call my story science-fantasy, where the ships engine screech like mad demons in the vaccuum of space.
Moreover, at any point in time, even the most concrete-hard SF story will be caught up by real science advances (e.g. lab-grown meat or gravity waves). The most I can do about a nagging detail is making a check in my paper books and on the web. If I have to research for more than one hour, without finding anything regarding this devilish detail, I leave it in the story.
Ta. Catch me if you can!
Melting chocolate fudge or rock-hard cocoa?
For me, some details are almost impossible to ignore. Like when you read a contemporary police procedural novel and your detective picks up various things around a body, with his bare hands! Unless it is set in a past era, everyone knows about prints, and now DNA! The same goes for your cat burglar who handles art items without gloves.
Some basics in science fiction are difficult to ignore, like the sound of ships in vacuum. I believe in making as much research as necessary for the story to hold together and not crumble, but if you are not a NASA rocket specialist, or a military strategist, it’s no biggie. Keep the very basic and improvise (ahem, build up) from there. I did read some hard-candied fiction by authors who have a professionnal background, but I do not expect to imitate them!
As one writer told me, you make your science as palatable as you like, whether soft, chocolate fudge that melts in the mouth, or hard 80% cocoa chocolate bar that defies the teeth! Telling stories should feel fun, not like dragging a chain and 100-kg ball behind oneself.
And you have all kind of readers from wide-eyed children to glazed adults, and the whole spectrum between. Some might prefer the melting in the mouth parts. The characters of the story will bear the weight of the plot, and the emotional/personal impact of the situation at hand (or at tentacle) will nab your reader.
Writing is not a straight line
Do I go back and change things? You bet!
And generally, many of those details are about the characters interacting with their environment. I tend to follow the rule of three mentions, adding at least two instances of the details, so it sticks in the reader’s mind. For instance, in my novel Paloma’s Secret, one of the teenagers had a favorite and fun catchphrase, that I only found out about in the last chapters. So I went back and change the dialogue to add the catchphrase in the first chapters.
Do I write in order from word one and not stopping to the end? Nope. I have novels that begun with one impressive scene, plus the prequel and consequences woven out of the strong scene. Or a novel is a tiny seed that grows and grows.
You read that in every How-to novel writing advice, the call of adventure that the hero or heroine spurns at first… I wish to share this incredible moment when I boarded and rode an experimental hovercraft.
The name of the vehicle was… Starship. Don’t laugh. It was a miniature orange two-person hovercraft, in demonstration at an event organized by my father (a hovercraft specialist) for an aerospace association that do not exist today. A jobless geographer atthe time, I had volunteered to help him with small things. We were in a hangar by the St-Lawrence River, under a gray sky.
One visiting engineer had been invited to test it, but he said he would get drenched (and he was an experienced, gray-haired guy, I suspect he knew what to expect bouncing in a small craft next to the engine, while I didn’t). So, I offered to go instead. I put on a thick and loose and dark wetsuit over my light and elegant September clothes and sat behind the pilot.
The first assault on my senses was the deafening noise of the main engine (see in the pic, right in my back) and the propeller pulling the air down to lift the hovercraft, screaming at one hundred and ten decibels that made even the red composite hull shake. It was impossible to talk, and the earmuffs might have been cotton candy for all the protecting they did.
After the flat concrete, the cold, cold September water of the St-Lawrence River rushed at us, sprayed droplets everywhere. Water seeped through the seams of the wetsuit, enclosing my legs in a moist embrace. The smell of tar and exhaust, the stench of dead fish coming from the posts of the bridge we were passing nearby gave a moldy taste on my tongue. But nothing beat the excitement of flying over the water in an experimetal hovercraft!
The hovercreaft jumped over chopping waves, propelled so fast every bone of my spine and basin was vibrating at the same pace. I grabbed the hull on my sides, not sure the orange lifejacket would be of any use if a sudden swerve shook me off. The craft reached the faraway bridge at piers in less than a minute!
At our dizzying speed bouncing over the wavelets, the air rushed at my face with countless droplets, my carefully combed hair was askew, but I still remember today how exhilarating those five minutes had been!
My grateful thanks for the gallant Starship pilot, who may have retired since the pic ws taken (I didn’t get your name, alas, so say hello if you recognize yourself!) Note how on the pics the pilot did not wear the earmuffs; he probably lent those to me for the test drive.
And kudos to the fellow engineer who took this picture and sent it to my dad, Jacques Laframboise, a few weeks later. We thought you might like this as a little memento of a happy day, he had written, noting the dsate September 23rd, 1987, and a time 2 min 45 sec, which may be the time elapsed in the hovercraft test drive. Alas, that friend didn’t write his name, and my father has flown into the great unknown in 2014.
It had been 34 years, and I still count those three minutes as the most exciting in my life!